Cato Ouyang is a New-York based artist whose multi-disciplinary practice considers the unstable affinities between materiality and memory. Through a dense amalgamation of references and mediums, Ouyang’s works reflect on encounters between historical precedent and the built environment. 

Ouyang has had solo exhibitions at Night Gallery (Los Angeles), No Place Gallery (Columbus, OH), Lyles & King (New York), the Knockdown Center (Queens, NY), and Make Room (Los Angeles). Their work has been included in group exhibitions at the Cantor Arts Center (Stanford, CA), the Institute of Contemporary Art at MECA&D (Portland, ME), the Aldrich Contemporary Art Museum (Ridgefield, CT), Capsule (Venice, IT), Galerie Kandlhofer (Vienna, AT), and more, with upcoming exhibitions at the New Museum (New York) and Museum of Fine Arts Boston. 

Ouyang’s work has been featured in publications such as The New York Times, Artforum, Flash Art, Momus, Sculpture Magazine, Document Journal, Art Review, and Frieze. Their work is held in the permanent collections of the Los Angeles County Museum of Art, Museum of Fine Arts Boston, Brooklyn Museum, High Museum (Atlanta, GA), Pérez Art Museum Miami, Nasher Sculpture Center (Dallas, TX), Columbus Museum of Art, Cantor Arts Center (Stanford, CA), Kadist Foundation (San Francisco), Faurschou Foundation (Copenhagen), and Pond Society (Shanghai). Ouyang holds an MFA from Yale University.

Greg Carideo (b. 1986, Minneapolis, MN, USA) lives and works in New York, NY, USA. He received a BFA from Minneapolis College of Art & Design, Minneapolis in 2008 and an MFA from New York University in 2015. Selected solo exhibitions include groundwork, Public Gallery, London (2025); Nave, In Lieu, Los Angeles (2024); Dog Eared Reverie, Foreign & Domestic, New York (2023); Storefront, FR MoCA, Fall River (2022); and Framework, GRIMM, New York (2021). His work has been featured in recent group exhibitions at The FLAG Art Foundation, New York (2025); Jack Barrett Gallery, New York (2025); Silke Lindner, New York (2024); Pangée Gallery, Montreal (2024); 12.26 Gallery, Dallas (2024); Galerie Nicolas Robert; Montreal (2024); Margot Samel, New York (2024); Public Gallery, London (2024); ICA, Portland, ME (2024); and International Objects, New York (2023). Several of Carideo’s exhibitions have garnered press, including a New York Times review for his solo exhibition, Dog Eared Reverie, Foreign & Domestic, New York (2023), a BOMB: Studio Visit for his solo exhibition, groundwork, Public Gallery, London (2025), as well as group exhibitions featured in Cultured Magazine, Artforum, and the New York Times. 

Justin Chance is an artist and writer based in New York. Chance earned a Bachelor of Fine Arts and Bachelor of Arts in Visual & Critical Studies from the School of the Art Institute of Chicago in 2015. Chance’s work has been the subject of solo and two-person exhibitions at the following venues: "Again", Tara Downs, New York, US (2025); “Archive,” Naranjo 141, Mexico City, MX (2024); “Live,” Tara Downs, New York, US (2023); “Love is Sci-Fi,” Sydney, Sydney, AU (2023); “Winter (with Sylvie Hayes- Wallace),” Hesse Flatow, New York, US (2023); CFA, Milan, IT, presented by Tara Downs (2022); “Social (with The People of New York),” Apparatus Projects, Chicago, US (2022); “Low Life,” Smart Objects, Los Angeles, US (2021); and “Better (with Hunter Foster),” Gern en Regalia, New York, US (2021). The artist’s work has been presented in numerous group exhibitions including: “The Principal Cause of Serial Monogamy,” Tara Downs, New York, US (2024); “A Study in Form (Chapter Two),” James Fuentes, New York, US, (2024); “FLESH & FLOWERS,” Made in America, NO NAME, Paris, FR (2023); “Public Life (Drawings), Chris Andrews, Montreal, CA (2023); “The Grid and the Curve,” JTT, New York, US (2022); “Material Knowledge,” Arsenal Contemporary, New York, US (2022); “Elective Affinities,” Chapter NY, New York, US (2022); “Remnant, Artifact, Flow,” Thierry Goldberg, New York, US (2021).

Nicholas Sullivan (b. 1987) is an artist living and working in Brooklyn, NY. Sullivan earned his M.F.A. in Sculpture from Massachusetts College of Art and Design, Boston, MA, and his B.F.A. in Sculpture from the University of Massachusetts Amherst, Amherst, MA. Recent exhibitions include; Chrysler (solo), CLEARING, New York, NY; Everblue (two person), International Waters, New York, NY; Planes, Trains and Automobiles, Galeria Mascota, Mexico City, MX;  Make Hay in the Sun, HG (two person), Chicago, IL; Comfort Animal (solo), A-L Gallery, Seoul SK; The World Without Us, Brennan & Griffin, New York NY; Gist & Gesture, Kavi Gupta, Chicago, IL; Foster Prize Exhibition, Institute of Contemporary Art, Boston, MA.

Paola Oxoa is an American artist whose work centers on a singular visual form developed privately over more than a decade. The form first appeared in 2013, following an experience while traveling in a dugout canoe, where Oxoa registered the dissolution of boundaries between her body and the surrounding environment. The resulting awareness of energetic continuity remains a central premise of her practice.

In 2023, after an extended period of drawing, she began painting with this form. Her process is structured and intentional, attuned to the energy perceived in the environment and body at the time of making. The surface of each painting records these conditions, indexing shifts in presence through the application of paint.

Oxoa’s work engages the legacy of postwar abstraction and systems-based practices. The form operates less as motif than as vessel—an architecture through which perceptual, energetic, and temporal states may be transmitted. Her practice is shaped by broader inquiries into structure, language, and non-verbal modes of communication.

She lives and works in Beacon, NY.